Winner of the Press 53 Prize for Short Fiction, We Are a Teeming Wilderness contains 13 short stories that I wrote across a span of 15 years. It is available directly from Press 53.

The stories in We Are a Teeming Wilderness are histories, prophecies, legends, science experiments, and undeniably works of art. McAuliffe transports readers effortlessly from past to present, lingering evocatively in the spaces between. Here the myth of Odysseus collides with the contemporary immigrant experience, the victim of a mugging processes the trauma through a sixteenth-century anatomical drawing, and a couple prepares both their relationship and an unlucky bird for burial via ancient Egyptian rites on their kitchen table. From hosiery salesmen to clairvoyants, these characters are seekers, scientists, and visionaries with skewed visions who reveal the limitations of knowledge while also celebrating the optimism in seeking it.


Winner of the 2019 Permafrost Prize. Available through the University of Colorado Press, Bookshop, and Amazon. (Or you could order a copy through your local bookstore!)

Fleet-footed and capricious, the essays in Glass, Light, Electricity wander through landscapes both familiar and unfamiliar, finding them equal parts magical and toxic. They explore and merge public and private history through lyric meditations that use research, association, and metaphor to examine subjects as diverse as neon signs, scalping, heartbreak, and seizures. Shena McAuliffe expands the creative possibilities of form.


Winner of the Big Moose Prize and the Balcones Fiction Prize, my debut novel, THE GOOD ECHO, is now available from Black Lawrence Press. You can also purchase it from Small Press Distribution or Amazon.


Set in the 1930s, and spanning the globe, THE GOOD ECHO is the story of a marriage between controversial nutritionist and dentist Clifford Bell and his quietly courageous wife Frances. After their young son dies from an infected root canal Clifford performs, Clifford and Frances seek to escape their grief through unconventional means, traveling from Ohio to Alaska to Sudan, to substantiate a theory of which Clifford’s colleagues are skeptical. Narrated in turn by Frances and Clifford, and by the ghost of their son Benjamin, The Good Echo is composed of postcards and bedtime stories, folktales and family legends, travel and research notes. The Good Echo celebrates the healing that can arise through sustained curiosity, and how our deepest sadness sometimes initiates the boldest adventures of our lives. You can read an excerpt from the novel here, and you can order a copy here. If you are interested in an advanced review copy, or in adopting The Good Echo for a course, please get in touch with me or Black Lawrence Press.

(And here’s a link to a fun group interview I took part in about the book for LitHub.)


Crisp, incisive, and quiet as an Ohio winter, this is a story of loss rendered in research and tucked away in rabbits’ mouths. A beautiful debut.

—Amelia Gray

Shena McAuliffe’s passionate devotion to scientific and historical inquiry amplifies and deepens the extravagant gifts of her playful imagination. With dazzling formal agility and rapturous attention to the pleasures of the senses, she delivers us to a world where memory is mutable and the dead speak, where it is possible to bear witness to other people’s secret fears and inchoate desires. The Good Echo shimmers with the radiance of a mother’s abiding love, a father’s healing mission, and a child’s joyful curiosity. Through the potent prismatic magic of storytelling, McAuliffe offers her readers grace beyond grief, a transcendent vision of the ways we might reinvent ourselves, transforming pain to purpose, surrendering to the blessings of our lives even as we navigate the paths of mourning.

—Melanie Rae Thon

From the first page of this novel, I was captivated. A boy, dead from an infected root canal performed by his father, says, “Death has made a storyteller of me.” When I read that, I put down the book, got coffee and a sandwich, and settled in for a day of enchantment. I was not disappointed.

What emerges is a story of love and loss, of how much we can ever know another, of blind spots, of intimacy, and the causes for and kinds of departures. The book has a magic all its own—the particular voice, humor, research, and medical history sustained me until that melancholy evening when I had to come to terms with knowing I would be reading the last sentence soon. A luminous, deeply moving debut: Shena McAuliffe is a rare talent. Sign me up for anything she writes.

—TaraShea Nesbit

“Harbingers make good stories,” we are told in Shena McAuliffe’s stunning debut novel, a young boy’s diseased tooth proving harbinger of a journey to the underworld and back, from Cleveland, Ohio to high in the Swiss Alps, from a Seminole village deep in the Everglades to Sleet Mute, Alaska, the Outer Hebrides, the Nile Delta, the Sudan, and, finally, home again to Ohio, every inch of the way traversed via the body’s darkest, most hidden places. The Good Echo is that rare thing, an encyclopedic novel by a woman; it’s the heart and not the brain, after all, according to the ancient Egyptians, that is the seat of the soul and of the intellect.

—Kathryn Davis

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